By William Shakespeare
Rosalind, Orlando, and different individuals of the royal courtroom get away their difficulties by means of operating away to the wooded area. A story of tangled love plots, this unabridged model of the pastoral comedy by means of English playwright William Shakespeare was once first released in 1623; the textual content is within the public domain.
This First road Classics model has put the textual content right into a new layout to make this e-book attractive and more uncomplicated to learn in either electronic and paperback codecs. The publication incorporates a hyperlinked desk of Contents for navigation.
The First road Classics model is unabridged and has been proofed for formatting error. blunders and exchange spellings present in the unique ebook haven't been replaced.
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Extra resources for As You Like It (First Avenue Classics)
17 The invisible hand metaphor, I argue, represents and performs on a microcosmic scale those disciplinary transitions that have been identified with The Wealth of Nations itself. Guillory claims that Smith’s political economy is founded on an aesthetically conceived projection of social harmony, which then redefines its origin in exclusively economic terms. Smith thus occludes the original aesthetic nature of his economic equilibrium by substituting for it an economic and material ‘cause’ – the harmony of supply and demand.
Here, in a nutshell, is Smith’s prescription for the ideal social order: All systems either of preference or of restraint, therefore, being thus completely taken away, the obvious and simple system of natural liberty establishes itself of its own accord. Every man, as long as he does not violate the laws of justice, is left perfectly free to pursue his own interest his own way, and to bring both his industry and capital into competition with those of any other man, or order of men. The sovereign is completely discharged from ...
Thus a great deal of effort was expended in the early years of capitalism to persuade workers and political bodies that this peculiarly paradoxical form of capitalist selfinterest was not un- Christian (as will be discussed further in Chapter 3). Smith’s description of capitalism is, like a novel, a fantasy of meaningful social order as constructed by the overlapping interactions between different socially located points of view – and hence novels can function as effective rivals and supplements to this vision of capitalism, as I will be arguing in later chapters.
As You Like It (First Avenue Classics) by William Shakespeare