By David James
Paintings, fantasy and Society in Hegel's Aesthetics returns to the scholar transcripts of Hegel's lectures on aesthetics, that have but to be translated into English and in certain cases stay unpublished. David James develops the concept that those transcripts convey that Hegel used to be essentially attracted to knowing artwork as an historic phenomenon and, extra in particular, when it comes to its position within the moral lifetime of numerous peoples. This consists of touching on Hegel's aesthetics to his philosophies of correct and background, instead of to his good judgment or metaphysics. The publication therefore deals an intensive second look of Hegel's aesthetics and its relation to his idea of goal spirit, exposing the ways that Hegel's perspectives in this topic are anchored in his reflections on heritage and on diverse different types of moral existence.
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Additional resources for Art, Myth and Society in Hegel's Aesthetics
In short, the epic poem’s portrayal of the gods and the heroes of Greek mythology helped reinforce and perpetuate certain commonly held ideas concerning what constitutes a noble or base, a devout or sacrilegious, action or deed. The epic poet can consequently be thought to have helped create the ethical world of which he was himself a member through his art. Hegel’s view of the original epic as a work of art that helped shape and perpetuate the religious beliefs and ethical norms governing the ethical life of ancient Greece suggests that he thinks that art once functioned as a vital source of the beliefs and norms orienting the actions of all the members of this historical community.
E. e. the brother) ultimately turn out to have the same object, which is the preservation of the community as a whole. This suggests that the unity of Greek ethical life depends on the harmony of the human law and the divine law. The fact that in tragedy one party identifies him- or herself absolutely with one ethical power in opposition to the other one, means that it presents certain tensions inherent in Greek ethical life, and in this respect ancient tragedy belongs to a stage that lies between the unifying process that Hegel associates with the original epic, whereby a collective national identity and ethical consciousness is forged, and the gradual dissolution of the ethical community formed in this way.
G. their religious beliefs, artefacts and images), and to do justice to their diversity and richness. This interpretation of Hegel’s account of the symbolic form of art nevertheless sheds light on his reasons for associating Judaism with the ideas of classical sublimity and true sublimity, and in so doing provides an example of how Hegel attempts to understand the various forms of art that he identifies in their relation to the different forms of ethical life out of which they emerge. 2. 34 These oriental religions are Zoroastrianism, Indian religion, Egyptian religion, Judaism and oriental pantheism.
Art, Myth and Society in Hegel's Aesthetics by David James